Edizioni Volonte' & Co.
Edizione italiana a cura di Massimiliano Chiaretti
di Exploring Jazz Guitar (book/Audio Online)

Adatto per chitarristi principianti che vogliono avvicinarsi alla chitarra jazz. Il libro é suddiviso in 8 capitoli, ognuno dei quali analizza 2 brani originali. Il fine é di insegnare - attraverso queste composizioni dell'autore - i segreti dell' improvvisazione jazz. Uso delle scale, progressioni armoniche, rhythm changes, turnarounds, II/V/I, jazz waltz, blues ecc. Studi nello stile di Kenny Burrell, di Joe Pass, Mike Stern, Wes Montgomery.
L'Audio Online é dimostrativo e play-along (per suonare insieme).

1. Static Minor Triads
- The Minor 7tch Chord & Arpeggio
- The Aeolian Mode
- The Dorian Mode
- Pentatonic Superimposition
- The Harmonic Minor
- The Jazz Melodic Minor
2. Static Dominant 7tch Chords
- The Dominant 7th Chord & Arpeggio
- The Mixolydian Mode
- Dorian Superimposition
- Seventh Heaven
- The Phrygian Dominant Mode
- The Altered Scale
3. Static Major 7th Chords
- The Major 7th Chord & Arpeggio
- The Major Scale
- The Major Pentatonic
- Pentatonic Superimposition
- The Lydian Mode
- Using Pentatonic Superimposition to Create Lydian Sounds
4. The II-V-I
- The Major II-V-I
- Major II-V-I Guide Tones
- Major II-V-I Arpeggios
- The Minor II-V-I
- Minor II-V-I Licks
- Creating Tension
5. The Jazz Blues Progression
- The Basic Blues Progression
- The Major Pentatonic
- The Mixolydian Mode
- The Basic Jazz 12-Bar
- Modulating To Chord IV
- The V17 Chord
- The Diminished Chord
6. Adding Colour
- The Minor 9th
- The Dominant 9th
- Dhe Major 9th
- Using the 7th Chords To Create 9th Chords
- The Dominant 11th Chord
- The Dominant 7th Minor 9th Chord
- The Dominant 7th Augmented 9th Chord
7. Time Signatures & Rhythms
- The Jazz Waltz
- 3/4 Comping Rhythms
- Compound Time
- 6/8 Comping Rhythms
- The Bossa Nova
- The Jazz Samba
- Double Stop Comping
- The Latin Quarter
8. Turnarounds & Rhythm Changes
- The I-VI-II-V Progression
- Introducing Non-Diatonic Chords
- Changing Chord II To A Secondary Dominant
- Replacing Chord I With Chord III
- Using III7 To Create A Series Of Dominant 7ths
- The Minor I-VI-II-V Progression
- Substituting Secondary Dominants On VI & II